As a Fringe book, and a “prequel” version of a TV series that’s no longer on-air, this story works pretty well and gives fans what they want. But as a novel taken on its own merits it’s fairly average.
If you’re a fan of the show (and you’d have to be to have any interest in this book at all), the main thing you’ll be interested in is the portrayal of Walter Bishop. I can say for certain that Faust’s characterization of Walter is very much in line with what you saw in the TV series. This is understandable, given the nature of this novel and its intended audience; the directive was probably not to mess with the formula too much. But part of me wishes that the author took more liberties with Walter’s youth. Everyone changes as they mature, but in this book Walter in his late twenties is pretty much exactly the same as Walter in his sixties (even the way he dresses).
William Bell and Nina Sharp also figure prominently in the story. Bell’s characterization is fairly unremarkable and straightforward, and he lacks the deviousness and outside-the-box thinking we came to associate with the founder of Massive Dynamic. Again, there was opportunity to break fascinating new ground with these characters, but the story plays it safe in that regard. Nina actually comes out as the most interesting character of the bunch. She’s young and feisty and much more daring and clever than either Bell or Walter. Nina was the main aspect of the story that kept me reading.
As the book title suggests, the story follows our intrepid trio of Sharp, Bell, and Bishop as they hunt the famed Zodiac Killer in the midst of his reign of terror. But there’s a Fringe-y twist: the Zodiac is actually from the parallel universe, and he was brought here by Walter and Bell during a trial of a special blend of LSD that would eventually become cortexiphan. There are many subtle and not-so-subtle references to both major and obscure aspects of the TV show. The story does often feel like an overlong standalone episode of the series (in both good ways and bad). It’s a good concept, and one that fits into the Fringe lore.
But a great concept needs great execution, and this book has a few issues. These supposedly genius-level characters often do fairly stupid things, and although Nina comes off as the “sharpest” of the bunch, she and William Bell are still lacking the cunning minds we came to know in the series. Also, the author does a little too much description for my tastes. She often delves into long descriptions of minutiae about side characters who barely appear for a few pages, and places that are just briefly visited. I’m don’t mind descriptive, rich world-building, but sometimes it should be done with a light touch so the main story can flow. Far too often, the descriptions got in the way of the story and I found myself fighting the urge to skip over paragraphs. But, I’ll readily admit this is a matter of reading taste and others may find this style to their liking.
If you really, really liked Fringe and you felt the series ended too soon, this book will definitely give you your fix. If you were a more of a casual fan, you might not like this as much.
disclosure: I received a free ARC copy from the publisher